Wednesday 29 October 2014

a new autumn lip colour


if you know me, you know i love a dark lip. that said, i was tired of my selection of burgundy and purple toned dark lipsticks and was on the search for a new, more brown toned one after falling in love with the colour of the mac spice lip liner but knowing i could never, ever possess anything mac. after trawling many online cruelty free makeup brands and spending hours in my local superdrug and boots swatching my hands looking for the perfect shade to no avail, i decided to give up on looking for a lipstick and instead turned to lip liners, and that's when i clapped eyes on this offering from collection.

upon first inspection, i doubted that cappuccino would be the shade i was looking for because it looks quite tame and almost nude in the bullet, but after i swatched it i realised that it had a load of potential if i was to build it up. for £2.79 i didn't think about heading to the till with it and it's been a story of nothing but love since then. 

with the product being a lip liner it's of course somewhat drying, but if you pop a little bit of lip balm on before applying it the job's a good 'un. the finish of the liner is a lovely, smooth matte one that actually has pretty decent staying power. of course if you sit down to eat a meal you won't be left with very much on your lips afterwards, but i've sat and drank cups of tea wearing it and it still looks good to go afterwards! unlike other matte lip products, this liner doesn't flake or chap unattractively throughout the day, so you're not left with that awful line on your inner lip that shows where your lip begins and product ends. 

all in all, i am super duper impressed and so beyond happy that i stumbled upon this little gem. i was starting to give up hope that there was a cruelty free option of this shade out there waiting for me, and to find it for under £3 was just absolutely fabulous. collection as a brand generally impress me anyway because the quality of their products is always great for the prices they charge, and this lip liner is certainly no different and has now firmly made its way into my list of favourite lip products. 

Sunday 26 October 2014

sunday synopsis

I

ok so it's half past twelve on Sunday evening/Monday morning (that weird overlap time when you're never really sure what day you're actually in) and I'm laid in bed making sure I don't miss out on yet another Sunday post due to my own absentmindedness. 

today has been incredibly lazy on my behalf; I started with good intentions, waking at 8am hoping to add to the 1,200 words I'd written of my dissertation on Saturday, but after rereading it and making some slight tweaks I decided to send it off to my tutor for vetting before I perhaps got too ahead of myself without a clear sense of direction. things didn't end too badly as i sifted through my seemingly never ending pile of books and quotes, arranging my thoughts and planning the structure for the rest of my essay so I know roughly what I need to be covering when the day comes for me to sit down and do some solid written work again (probably next weekend, sigh.)

after that, I headed into town with my long time buddy and housemate for some lazy Sunday lunch at a wetherspoons, after which we then headed home to lounge around watching films before finding ourselves within the weird corner of youtube (well, one of them, anyway.) i've gotta admit that I now feel a little guilty for having pretty much wasted my day, but if you can't lounge around on a Sunday, when can you? I'm thinking third year's gonna require days of solid working followed by a single day of complete laziness to help me unwind from the madness of overlapping modules. ah, third year, you're gonna test me, I know it. 

Saturday 25 October 2014

saturday scribbles


this week's been pretty hectic to say the least as on monday we were briefed on our live projects and competitions module, with our first deadline for the week being on friday. we were given a brief to design a logo for a property development company, and as you'd expect it just wasn't up my street at all. i knocked together a terrible logo pretty quickly for the sake of getting it out of the way asap, but after a chat with my tutor he essentially told me to ignore what the company may want and to interpret it illustratively and to give it the signature feel and tone of voice that all of my work has so it could at least serve as a portfolio piece should i choose it to. within the brief they wanted to keep a bridge as a focal point, so i worked around the idea of the bridge and the fact that the company builds homes and thought about the homes that the bridge and the river it crosses provide for various forms of wildlife, and i've included a snippet of the finished illustration here as the bottom right image. it wasn't great, but i managed to knock it together in the space of a few hours, which for me is something of an achievement. i can spend days musing ideas and composition, so to square that off and actually finish the artwork within a matter of hours is something to be celebrated at the very least. 

to the left of that image is a snippet from an illustration that i'm currently still working on which is another live brief for the rail company grand central. their brief asks artists to create an image that relates to the phrase 'direct to london', so i'm working with the idea that the company is all inclusive and anyone can travel to london whether they're travelling by foot, paw, wheels etc. maybe i just wanted to include a dog in the image somewhere, but i think it's a nice message nonetheless to know that anybody's welcome aboard.

lastly (and hopefully more interestingly!) i started work on this year's christmas cards. i wanted some fun, light hearted, animal pun cards and i came up with 'merry catmas', 'seasons tweetings' and 'jingle pug' and i'm thinking jingle pug's my favourite at the moment! i'm still undecided about whether or not the cards are finished as they are, but if they change i'll no doubt share them via my blog/twitter/instagram at one point or another. 

a pretty meh saturday scribbles altogether this week, i'm hoping it'll become a little more interesting once i begin my macmillan competition entry!

Friday 24 October 2014

autumn: what's not to love?


autumn well and truly has us here in the uk in its grasp now, and all i've seen these last couple of weeks is an abundance of blog posts celebrating its return. i'm adamant that i can't be the only brit alive that hates autumn/winter, so i thought i'd pop by today to share a few of my autumn related gripes in the hopes that someone, somewhere may feel the same way!

dark mornings
isn't getting up on a morning hard enough without then feeling like you're waking up in the middle of the night?

dark evenings
as soon as the sun goes down i go into chill out mode, meaning pyjamas go on and a cup of tea is made ready for me to snuggle up in bed to chill out watching a tv series or reading blogs, but when the sun's well and truly gone by 5pm you really can't be affording to sack the rest of day off like you'd desire to.

struggling to maintain a reasonable temperature
dressing for autumn is the worst. as the temperature drops, of course you want to pull out all of your knitwear to keep snug outside, but you'd better then believe that entering any heated building is gonna be like entering the fiery pits of hell. 

defrosting your car
obviously it's only applicable to those who own cars, but come on, does anybody like defrosting their car? of course not, and autumn so kindly* brings the frost and the need to defrost cars with it. 

*not kind at all, fuck you autumn.

a deceptive sun
just to rub the change in seasons in your face, of course the sun will be shining coldly while you stand defrosting your car. do not trust the autumn sun, it tells nothing but lies. 

soggy, leaf trodden paths
ah yes, the age old idea that with autumn comes the falling of crispy leaves that we can all frolic around in happily, however if you're a brit, you'll know that the reality is more likely to be soggy, trodden leaves filling the streets that ruin your shoes and get dragged into your house for you to clean up later. not so lovely after all. 

it's funny to read through my list of gripes and know that some of them were listed in others' blog posts as things they love, because i cannot for the life of me work out why anybody would enjoy any of them! if you're also more of a spring/summer baby and are mourning the loss of summer, please do share some of your own autumn/winter gripes below – i'd love to read them!

Wednesday 22 October 2014

e.l.f. | volume plumping mascara



mascara's not something that i purchase all that frequently, simply because it doesn't behave differently if you're having a bad skin day like things such as foundation, concealer and powder may do, so generally i find something i like and i stick to it until it runs out, and i think my new favourite to stick to is definitely this e.l.f. mascara. 

the mascara is branded as a volume plumping one, however i've found it to be great for creating volume, definition and length, so for £3.95 you really can't go wrong if you're looking for a good three-in-one mascara. another great thing about this product is that it stays put pretty well; it's not described as a waterproof mascara, but it definitely does take a lot of moisture to make it budge! i've cried with this on and it's gone absolutely nowhere, which really did take me by surprise (pleasantly so, though!) application is also a breeze because i've only ever had to use one coat to achieve incredible lashes, and i've been more than happy to wave goodbye to old mascaras that've required multiple coats before my lashes were looking up to standard. 

for a volume plumping mascara, the brush itself isn't unpleasantly big and i think it'd be suitable for most people to use because it easily coats top, bottom and inner lashes well without making a horrible mess. i'd wholeheartedly recommend this product to anyone who's in search of a new mascara because for £4 it's incredible value for money and it's easily as good as (if not better than because it's cruelty free!) benefit's they're real mascara that i used to use before making the switch to cruelty free cosmetics. 

Tuesday 21 October 2014

collar full


hat: h&m
necklace: lilac edge
shirt: charity shop
dress: hand-me-down
boots: primark

when adding items of clothing to my wardrobe, dresses in particular, it's important to me that they can be teamed up well with a good ol' collared shirt to be taken through into my a/w wardrobe, and this hand-me-down dress i received from my mum over the summer fits the bill perfectly. teaming what i think is a slightly sophisticated floral print with a shirt and leather gives it a more casual feel that is more appropriate for day to day wear as opposed to evening wear, as i like to wear the dress alone with some chunky sandals. when finished off with my trusty bowler hat and a statement red lip i'm good to go!

Saturday 18 October 2014

saturday scribbles


today i've an assload of sketchbook/development work to share with you all to apologise for last week's sorry attempt at a saturday scribbles post.

so, first up: the top illustration is scary similar to some of gemma correll's work, i know. it wasn't until i began applying colour that i realised it, but then i thought what the heck i may as well go ahead and finish it off anyway for ~development~ purposes. if anything, putting that together has once again seen me be slapped around the face by the 'simple but complex' stick, where in which if something looks like it was thrown together, i can assure you that hours of work most definitely went into it; tessellating dogs into a repeat pattern is hard work

in other news, i'm thinking self promotion might be taking a dogs vs. cats slant because if there's anything that divides folk, it's the dogs vs. cats debate (dogs are superior though, just fyi) and folk of the illustration/design type are often known for freelancing amongst their canine and feline friends, so hopefully it'll produce some materials relevant to the people i'm trying to target, and probably beyond those too! 

while i'm happy with the direction of my thinking, once again i'm pulling my hair out over my ability to illustrate. i've had moments this week sat at my desk crying over how i couldn't draw a dog, moments crying because i can never develop anything past sketch form into something worthy of merit, and moments crying because at the minute i feel like throwing in the towel and giving in altogether because i just can't seem to produce anything that doesn't fill me with dissatisfaction. i've said it once, i'll say it again: drawing well is hard. i'm struggling so bad at the minute, but i'm hoping i can keep my head up and work through it until i see the light at the end of the tunnel and a finished illustration that i'm not so horribly ashamed of. 

while i'm not overly happy with anything i've shared above, i do understand the importance of sharing the intimacy of failed work for purposes of self reflection and being honest with and engaging your audience, so hey, i've tucked away my ego and laid it all out here for you to see how horribly embarrassing a place my sketchbook can be at times.

Wednesday 15 October 2014

keeping your makeup on your face


as you've probably guessed from my oh so eloquently worded title, today i'm going to talk to you about the importance of a primer and setting mist when it comes to making your makeup stay put for the duration of the day. 

it probably makes sense to talk you through the products in chronological order of application, so first up is this gosh primer that i've been using since the beginning of the summer. the product itself is of a nice, light consistency that applies easily and smoothly, leaving your face mattified and feeling a lot more smooth and perfected to touch. it's not often i skip primer when slapping on a full face of makeup, but on the days where i have done due to forgetting i've definitely known about it; without the smooth base the primer creates, i've found that foundation and concealer just don't work into the skin as well as they should. blending them in takes much longer, and i find that concealer in particular is much more drying and tends to flake more around my nose when i don't first apply a primer. i've found primer to come in handy on days where i don't want to wear makeup too as applying a little bit helps to reduce the oiliness of my skin and keep my face looking matte and fresh all day rather than a big ol' oily mess. 

as well as primer making makeup application much easier, it also helps with the longevity of your makeup. when i haven't worn a primer, i've noticed that my base tends to rub off in patches and it becomes really bloody obvious where i have and haven't got makeup left on my face, yet when i wear it it seems to sit perfectly in place all day, and while my makeup may wear off a little throughout the day, it seems to wear off somewhat evenly as i'm not left with horrible patches that highlight where the makeup has rubbed off. altogether i find that a primer helps to maintain an even distribution of product all over your face rather than allowing it to collect in places, and i'm all for an even, more natural looking coverage. 

moving onto the makeup mist and set, and i'll be honest, i don't find this to be as vital as a primer for keeping your makeup in place, but i've found that it's a nice finishing touch to end your makeup routine on regardless. this elf mist is odourless and non-sticky and it feels like you're spritzing your face with water, but obviously it has the added benefits as mentioned on the packaging. while i don't think this setting mist alone keeps my makeup on my face all day, it does help to tackle the oiliness of my skin as when i've missed this step i've noticed a bit of shine on my forehead and cheeks forming throughout the day. it's probably because a spritz of this after applying your makeup helps to form a seal that mattifies your entire face, making it less likely for the oil to work its way through your layer of makeup, but i really am in no position of expertise to be making such bold claims, i can just tell you that it definitely works for me. 

i've never branched out into more expensive setting mists or primers so i couldn't compare these to any high end rivals, but i think the fact that i've never felt that i needed to says enough about the quality of these products; at the end of the day, if it ain't broken, why try to fix it?

Monday 13 October 2014

electric together


 fedora: depop
crop top: topshop
choker: lilac edge
necklace: primark
jacket: ebay
belt: primark
jeans: primark
boots: primark

when the going gets tough, i'm finding it's pretty easy to still maintain a more personal style focussed blog, probably because i have to throw clothes on at least four days a week and half an hour is easy to find to snap and edit pictures and throw together a paragraph or two about whatever's relevant on the day. i've felt a bit disconnected from my blog, work and the internet in general lately due to freshers and now my dissertation work, and i'm getting to a point where it's beginning to bother me. i want to be creating and writing interesting things, but i'm struggling to find the time to do so when books take hours to read and gathering and analysing information, quotes and references ends up taking days at a time, which ends in me feeling too exhausted by the end of every day to even want to think about blogging/drawing. meh, third year, right?

whiny excuses aside, i headed out in this ensemble last friday and i've never felt more like i was trying to look like a blogger. ripped jeans are everywhere at the minute, and when i spotted these in primark i was too curious to not try them on, and after a bit of deliberation i decided that i loved them. i ended up grabbing a size up and although they're far too big around the waist and can only be worn with a belt, they fit like a dream on my legs because i prefer a little bit more room and less of a skinny look. when teamed up with some chunky boots and a fedora i definitely felt like i was ticking all the relevant 'fashion blogger' boxes. i don't know if i found the whole thing more funny or sad, but i felt good regardless and i'm sure that's probably the most important thing!

Sunday 12 October 2014

sunday synopsis


well, this sunday evening i can share a positive and a negative with you. the positive is that, god damn it, i've actually managed to grow my fringe out and am more than satisfied with how it's looking! a strange positive you might think, but for the last two/three years i've attempted to grow it out, got so far and found to too awkward to deal with before giving in and cutting my fringe back in, so altogether it's a pretty good personal achievement of mine, hell yeah

the negative is that i'm feeling just as lost in regards to my self promotion work as i did last night. i've done a bit of doodling throughout the day and have resolved the issue somewhat with a bit of an idea about where i should attempt to push myself next, but i still just feel so horribly disconnected from it and fear that because self promotion is the brief that runs throughout the year at the back of other projects it'll just become neglected throughout the year and then rushed in the final couple of months and just end up being an altogether shitty module, which i really can't afford if i want to go for a first overall. i know, i know, grades aren't everything but i know i can achieve a first, so why the hell not try?

while i'm finding myself unenthused by a self promotion module, i'm really looking forward to getting my teeth sunk into the macmillan competition again this year. over the summer i conjured up some ideas for a picture book which tackles my thoughts and feelings in regards to my new york visit, and while i'm thinking visually i might struggle with producing the artwork for the book, i know i can have so much fun with my main character, storyline and the characters my protagonist will bump into along the way. this enthusiasm is encouraging for me because it reminds me that my mojo hasn't been lost altogether, it's just been a little dampened as of late.

huh, i don't really know. it's not just my work i'm feeling a little disconnected from, but life in general, really. i don't much feel like myself recently and don't really have the get up and go to do much, whether it's uni work, personal work, blogging or working out, and it's no good for me at all. it's weird, i tend to get like this towards the end of summer/beginning of autumn every year so maybe for the sake of my mental state it makes sense to flee somewhere with a pleasant temperature all year round if and when it becomes a possibility for me. it's bloody tough putting up with yourself at times, ain't it?

Saturday 11 October 2014

saturday scribbles


hi i'm robyn and this is quite possibly the most pathetic saturday scribbles post i will (hopefully!) ever share with you. i'll be honest, i really don't have anything worth showing for the week but i thought it better to share the minute amount i do have rather than to completely miss the post again for the second week in a row. 

i've spent most of my time this week researching, so naturally i haven't done a lot of doodling. i've been reading books, online articles, my dissertation research from last year, you name it, and it's managed to completely take over my life. the above doodles are for my self promotion project which initially started as a project based around feminism, which then led to an ass load of research over the course of three or four days, which then led to my tutors telling me that they liked the idea but felt it would perhaps be more suited to a final project than a self promotion project, which i now totally agree with, but it then meant that after banking that idea as a possibility for the future i was left again at square one in terms of self promotion. 

what i took from my feedback session is that my self promotion should be less concerned with 'design' type ideas and more focussed on my actual illustration, so i've been thinking about what i can do to rope in a bunch of different animals to help to build my portfolio of 'animals that potential clients know i can draw', and in true robyn style, it's beginning to take a bit of a silly route. don't get me wrong, silly's something i'm totally happy and comfortable doing and generally i think i do an alright job of it, but i'm feeling a little bit lost. i'm currently looking for direction and failing, but i guess it's something i just need to doodle my way out of, and with doodle time having been restricted this week there's no wonder i'm feeling like i'm in a bit too deep right now. 

today i wrapped up my three day long stint of analysing my dissertation research, picking it apart into relevant sections and writing up my introduction, so tomorrow i'm dedicating the day to doodling and hopefully figuring my self promotion out. will it all go to plan? i guess we'll find out around this time tomorrow after i've typed up my sunday synopsis. 

Friday 10 October 2014

staying positive as a creative

 above you can view me in my natural habitat: lounging around like a tramp in my pyjamas, wading my way through various books while trying to pull together some ideas worthy of any merit

i haven't kept it a secret on my blog over the last couple of months that i've been struggling creatively, and for a while i'd been thinking about the things that i do and the mindset i try to adopt in those times of crisis, and decided that i wanted to jot them down into actual words rather than scattered thoughts, however it wasn't until reading through a book today that i found any kind of motivation and wanted to actually put pen (my fingers) to paper (to my keyboard.)

now, i'm not claiming to hold all the secrets to creative happiness, because if i'm honest, i don't think it exists (not permanently, anyway,) what with creatives generally being a huge bunch of perfectionists, but i think i can at least share what i feel helps me to feel momentarily better in the hopes that it might inspire or help somebody else out, too. my audience here is perhaps a little broad, but i'm deciding to aim it at 'creatives', who i'd describe as people who bring new things into existence based on their own thoughts and ideas, so if you feel that the term applies to you, feel free to sit down and have a read. heck, make yourself a cuppa and get comfortable if you so wish it. 


the very books that provided my brief kick up the bum; picture book enthusiasts, i recommend!

one: take time out when you need it

over the summer i struggled with the idea of taking time out, and in attempting to do so failed miserably. i think i went wrong because i failed to set myself any time limits (or deadlines, per se,) so i just kind of lost track of time, organisation, and along with it my motivation. while it's important to realise when you've burnt out and need a little recovery time, it's also important to keep yourself well organised and aware of when work needs to start again so you can understand your 'free time' and in effect use it wisely. these breaks can be as long or as short as you feel necessary – from a quick hour break with a cuppa to a week's worth of seeing friends and exploring your surrounding areas – but it's important to be honest with yourself and clearly outline what constitutes as a break, and what's actually helping to steer you off track and curb creativity. 

it's also important to remember that your 'breaks' can help you see current projects in a new light, or help to spark ideas for new projects altogether. carrying a notebook around with you at all times is useful for jotting down any sketches, words or phrases that occur to you that could come in handy later but may be forgotten in the moment. a couple of my favourite projects have simply come from words i've jotted down or thoughts i've had that i've revisited later, so although at the time it can seem a little bit pointless, it's important to remember that most big things start out small!


two: try to silence the voice of self doubt

if there's anything i've learnt since becoming a part of several online illustration communities, it's that all illustrators, no matter how big or small, go through serious bouts of self doubt and a lack of confidence in their own work. to me it seems completely bizarre to read illustrators such as gemma correll or alex t. smith for example tweeting about how they can't draw this or that because i know that they're utterly fantastic at what they do, yet in a sense it's oddly refreshing to know that these seemingly superhuman people sometimes struggle too; not because i love that other people face internal dilemmas, but because i think to myself, "but their work is fantastic, how could they ever doubt it?!" and it makes me consider that, "hey, maybe my work isn't as bad as i think it is?" i'm not sure if to think that way fills me with false confidence, but hey, a positive mindset spurs me on to draw more than a negative one does, and that can only ever encourage progression. so, the next time you're flicking through your sketchbook pages despairing, just take a moment to tell yourself that you're probably not as bad as you think you are, and then create a little more until you can see that for yourself.

three: you don't know that there isn't room for you

a demon of mine that occurs quite frequently is the fact that in an already saturated market of fantastic children's illustrators, there just isn't room for me within there. it's extremely easy to look at the work already out there and compare your own work to it, and it's even easier to attempt to emulate the work you see, but it's important to remember that developing your own style, or 'visual language', is the one thing that will potentially see you through into a successful career. if you take a walk into a bookshop and browse the picture books section, it's easy to spot particular trends and what's currently popular, and while most of it is extremely beautiful and skilfully executed, i do think that there's very little room for progression within the field when such work is being chosen over and over again, and i no doubt believe this will be true across many creative fields. 

it can be a daunting task presenting work that doesn't bare resemblance to anything you know to have once been successful, but in doing so you're helping to push boundaries within your chosen field and that will no doubt get your work noticed – after all, just because your work looks different to what's expected doesn't mean that it's bad, right? in the past i've let myself become too worried with others' work and attempted to emulate particular aesthetics, but i found that i created my best work when i let go of those worries and instead just created what came naturally to me, and i intend to keep on creating work in the same fashion in the hopes that i can build up a distinct visual language like many other successful illustrators have done. of course i can't comment on the effectiveness of this strategy just yet, but i feel happy knowing that i'm trying to create my own work rather than just blindly copying those who came before me. i think the key here is to believe in yourself, work hard, and not give up, and in terms of university, those things have seen me through pretty well so far.

a messy desk and the intimate beginnings of a project

four: just do what you can, when you can

in the age of social media, following the accounts of the creatives you most admire can be both a blessing and a curse; the intimacy that comes with the frequent instagram updates of the very beginnings of pieces of work is not only inspiring, but it can often be a little disheartening to realise that you don't churn out work half as fast as your favourite creative does. again, it's important here to remember to not compare yourself to others too much as we all work at our own paces and in completely different ways. if you want to take inspiration from an individual's way of working or the speed at which they work that's completely fine, but when you begin to think bad things about your own working process because of it then it's time to take a step back and start thinking a little bit more sensibly.

while the mind of a creative is always switched on, things often get in the way to stunt our 'physical creativity', the time spent actually making things; outstanding projects, food shops, hangover days, whatever they are, things will always crop up to get in the way of you sitting down and working, but this is where it again becomes important to carry around a sketchbook. sure, you might not be able to develop and create your masterpiece there and then, but at least you know the seedling has been safely planted in your sketchbook ready to be grown another day when the time becomes available.


five: always stay switched on

going back to point four, while it's not always possible to be sat at your desk pulling your ideas together and creating your physical work, it is always possible to be thinking about current projects or potential future projects. while lately i've been a little unproductive in creating physical work, not a day goes by where i'm not thinking about the projects i currently have on the go or new ones i'd like to one day pursue.

i'm not a superhuman unfortunately, and i do occasionally hit a wall creatively and struggle to find inspiration to get me back on my feet and going again, but i've found that i can get myself going again pretty quickly by doing a couple of things. one thing i like to do is to listen to everything going on around me, because no doubt i'll hear something intriguing that i can jot down for later; one of my latest favourites was a couple of little old ladies in a council building complaining about the wait time and wishing there was a burger van outside to keep them occupied while waiting, and while i haven't done anything with it, it's jotted down in my sketchbook, should my eyes scan over it in the future and find inspiration from it.

another thing that helps to inspire and motivate me pretty much instantly is sitting down and reading a good bloody book, but i suppose a good web article or blog post would do the same thing. a couple of books i've read recently that have given me a swift kick up the bum are show your work! by austin kleon and illustrating children's books by martin ursell. i'd recommend show your work! to any creative who's wanting to learn a bit more about self promotion tools, but of course illustrating children's books is for a more specific audience, but it provides some fantastic examples of work and some really helpful tips for working within the picture book format that i found made me just want to stop everything i was doing and start drawing (unfortunately i couldn't, though, as i was researching for my dissertation...)


six: just be nice!

and finally, a short and sweet paragraph to wrap this horribly long post up with. i've found that online, being nice, having a positive attitude and interacting positively with other creatives really helps to spread positivity all round. while it can be easy to wallow in self pity – and i'm definitely guilty of it myself over on twitter on occasion! – nobody likes reading about how badly you feel about yourself and your work at the minute, so just suck it up, look at some great work, compliment the creator of it to make their day a little better while inspiring yourself to want to be better, and you're already making a fantastic start on achieving an altogether more positive mindset and contributing to the creative community. 

now, of course i'm happy to engage in healthy debate about what keeps us creatives positive, but please, if you don't agree with anything i've said, try to tell me in a polite, respectful manner – after all, the last thing we want is to spread more negativity, right? so if you have any burning opinions or tips of your own you'd love to share with me or any other creatives that might find themselves at the bottom of this post, please do share them below and i'll get back to you asap!

Wednesday 8 October 2014

tangle teezer: worth the hype?


i've got to say, i did really well not buying into the tangle teezer hype for so long, but when placing an asos order recently i finally gave in and popped one into my basket so i could take advantage of my 10% student discount. 

in all honesty, i've been completed underwhelmed by this product. from reviews i've read on blogs and seen on youtube, it's touted as being a miracle product that minimises hair breakage and offers easy detangling, and i honestly can't say i've seen any differences between this product and the old £1 hairbrush i'd previously been using from wilkos. this product does detangle your hair with ease if you're gentle, but then again, so did my old hair brush; more than anything, i was hoping that by opting for the tangle teezer instead of my old brush i'd see a lot less breakage and hairs left in it, but it hasn't even given me that because even now i'm cleaning this out just as often as i cleaned my old hairbrush. i also don't really like the shape of this brush as it feels awkward to brush through your hair with, so for a product that performs no better than your bog standard handled hairbrush, i'm really just not that into it – sorry, tangle teezer. 

while i've been horribly unimpressed by this product, i have spared a thought about my hair type and whether or not it's just my hair being easily manageable that means i can see the same results with a regular hairbrush. i have very thin, naturally straight hair, so it's not very often that i have to tackle stubborn knots or really need to give my hair a good brushing through, because generally it never gets that unruly. one of my friends has fairly thick, naturally curly hair and she swears by the tangle teezer, claiming it's completely changed how she manages her hair, and i don't disbelieve her claims at all, i just wanted to share that if, like me, you're cursed with not a lot of hair that is naturally straight, perhaps you'd better saving yourself a bit of cash and just opting for a regular hairbrush that will give you equally as good results as the tangle teezer.

Tuesday 7 October 2014

bad habit



jumper: primark
dress (worn as skirt): primark
socks: primark
shoes: primark

i don't know why but i always feel a strange sense of achievement when i can walk out of the house in a head to toe primark outfit and still feel pretty bloody good. it's probably something to do with the moans of those who "can never find anything in primark," so to know that over time i've found enough quality bits and pieces to combine together into one super outfit helps me to justify (in my own mind...) the ridiculous amount of time i manage to spend in various primark stores up and down the country.

i've paired up my most recent primark purchase (the shoes) with a couple of my favourites from last autumn/winter (the jumper and dress) and am loving how the burgundy sits against the green/blue tartan, however i'm not loving the beginnings of the autumn weather as it means being perfectly snug in this outfit whilst outdoors, but proceeding to melt upon entering a warm building. i've said it once and i'll say it again: you autumn/winter lovers are odd.